Visit the Jigsaw record shop at 608 NW 65th St in Ballard, Seattle!
Hours: Weds-Sun 12-6, closed Mon/Tues.
Jigsaw Records is the label/record shop/mailorder that sticks up for the little guys, specializing in indiepop, janglepop, lo-fi pop, indie rock, powerpop, twee, punky pop and pretty much any other kind of fun music that we fancy. We carry records/cds/tapes from small independent bands and labels from all over the country and world, and strive to keep our prices as low as possible.
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this is the debut release from Secret Meadow, a new band from Jakarta, Indonesia, and it's a good case of being able to judge a book by its cover. Much like the sleeve, the songs contained within are simple and catchy, but are also shrouded in a haze (of ambient synths). Imagine the sound and atmosphere of the Cure or Slowdive, but with melodies that rival anything the Radio Dept. have ever written, and mostly upbeat songs with driving rhythms and vocals that are soft yet confident. And the guitars! Oh, the wonderful, jangly guitars... Yes, this is the start of something really big, and we're glad to be able to introduce you to this delightful band!
Not limited. All songs written by Secret Meadow. Available digitally on Bandcamp.
We have here the debut release from Cleveland's Heavenly Creatures, and it's a lovely five-song gem! Though current, the band sounds like they were plucked from the Harriet Records '90s catalog, wedged in nicely between similarly female-led bands such as Twig, Pest 5000 and Prickly. That is, this EP is full of catchy pop songs with a bit of an edge both musically and lyrically (see the ode to so-called self-help books in "Blah Blah Blah Amen" and the response to guys' backhanded compliments to female musicians in the opening "Unsolicited Advice"). Last summer may have nearly killed the band (when their drummer moved cross-country and the band almost split up), but this year - and this EP - finds them starting again on a high note.
Not limited. All songs written by Heavenly Creatures. Available digitally on Bandcamp.
after a couple albums under his own name and as the Pinecones, Brent Randall of Toronto is now using the moniker Gentle Brent, but he's still playing many of the instruments on his own (with help from a few friends here and there). A little less orchestral this time around, Brent is leaning more toward jangly powerpop territory - think Harry Nilsson or Paul McCartney meets the Heavy Blinkers, Flashing Lights or even Jigsaw's own Michael Knight. This album has friendly, bouncy AM-styled hits galore, and with eleven of 'em in under half an hour, you'll find lots of wonderful vocal harmonies and the catchiest songs you've heard in a while!
Not limited. All songs written by Gentle Brent. Available digitally on Bandcamp.
having a band with a special character in its name is always tricky - unless you're from northern Europe (which 31Ø8 isn't - they're from London), you're gonna have a hard time typing out their name, much less saying it. It's 3-1-zero-8 in case you were wondering... Anyways, following their self-titled debut on Trouble In Mind Records from 2014, here we have their second self-titled album - differentiated by a change in ink color, hence the suffix '(BLU)'. Oh, and now's a good time to mention that this isn't even a full band, but rather the solo project of a fellow named Kyle, who used to go by 'Tyler'. Now that I've fully confused you, let's discuss the music: at its core, it's rock music with keen pop sensibilities. That is, these are basically simple pop songs, but everything - guitars, vocals, synth-bass and electronic drums - is covered in a layer of fuzz, sounding like some hybrid of Loop and mid-period Jesus And Mary Chain, while more modern-ish references include Honeyrider and Jigsaw's own American Culture & Super Paradise. Not an easy record to describe, but very easy to get into.
Not limited. All songs written by 31Ø8. Available digitally on Bandcamp.
after a few digital releases on the Beko label, we have the first "proper" album from nearr, a one-man recording project led by Eduard Tokuyev from Ukraine. And it's a beautiful example of lo-fi bedroom pop, that combines acoustic and electric guitars with keyboards and drum machines. Take the distant vocals of the Radio Dept., the stark but melodic guitar sound of "Seventeen Seconds"-era Cure and the overall feel of a Famous Boyfriend record, and you'll get an idea of what to expect here. The songs themselves have a theme of loneliness and longing, as is seemingly typical with bedroom pop of this type, but they aren't at all mopey. Eduard has dubbed this record the "closing release of his lo-fi era", so let's all look forward to what the band produces next!
Not limited. All songs written by nearr. Available digitally on Bandcamp.
this is the new project from Davina Shell (of Thee Ahs) and friends, and truth be told, it's really not too different from her previous band. And that's a good thing, because I LOVED Thee Ahs and their brand of pure and simple indiepop with the sweetest vocals - as much as I loved the Fat Tulips back when Sunday Records reigned supreme. Not to insinuate that these songs are all flowers and butterflies - in fact, they're rather darker in tone. Davina wrote all of the songs, but each track on this EP has a different vocalist (including Davina and Sarah, also from Thee Ahs), but they all have a similarly sweet delivery, so it flows together quite well. An all-around beautiful little collection of songs!
Not limited. All songs written by Ghost Thoughts. Available digitally on Bandcamp.
the best thing about EPs (when they're done right) is that it gives bands a chance to put their best songs right up front, with no filler. Don't get me wrong, I love albums as much as the next guy, but a very good EP can be just as strong - if not stronger - than a decent album. Take this one, for example, the first for these four Irish fellows: it's only got four songs, but all of them are complete winners. It's seriously hard to pick out a single favorite on this disc, as each one is a perfect example of hard-hitting shoegaze/noise-pop in the vein of Ride, Swervedriver or the Brother Kite (particularly the latter, who have also perfected the blend of shoegaze and noise-pop). Not bad for a first outing, eh?
Not limited. All songs written by Galants. Available digitally on Bandcamp.
I've been a fan of Lures (a local Seattle band), ever since I caught them live by chance a couple years back. Sadly, they're pretty much inactive now, but they had this album in the can and no means to release it, so I jumped at the chance! Following up on their debut lp on Fin Records from a few years ago, this is another solid batch of songs that blur the lines between the past and the present. That is, they have a classic surfy rock sound, steeped in reverb and all that, only with songs that sound modern, in a similar style as someone like Chris Cohen and Tele Novella. But in between, they'll go and do a surf instrumental or cover Del Shannon's "Runaway". A nicely varied and rich album, let's just hope that it's not really their last...
Not limited. All songs written by Lures, except track 8 by Del Shannon. Available digitally on Bandcamp.
the Rentiers have been around for a few years now, existing as a project for Joel Tannenbaum (Plow United, Snow Fairies, Skywriters, etc.) and whoever he ropes into recording with him (and that's a pretty long cast of characters!). His musical roots are indiepop and DIY punk, but with the Rentiers, he doesn't limit himself to just one genre. No, you'll find a wide variety of styles from indiepop to electropop to reggae, though his forte (and thus, the majority of the songs on this collection) is catchy indie rock with a particular knack for descriptive storytelling, usually co-sung by himself and a female vocalist. Just listen to songs like "Jessica And Dan And A Cat Named Bolt Thrower" and "The Third Floor", for example, and you'll find real depth in there. Dive into the fun and diverse world of the Rentiers!
Not limited. All songs written by the Rentiers. Available digitally on Bandcamp.
originally from Milan, Italy but now based in London, this is the first outing for the enigmatic Super Paradise. The album starts off with the infectious "The F.C.", a great opener, if there ever was one, with its classic synth arpeggios and driving rhythm, that propels it forward for an exciting three minutes. From there, we have the one-two punch of "Ties" and "Dawn", a pair of anthemic noise-pop hits that actually remind me a lot of Jigsaw's own American Culture. After a brief interstitial piece, we're treated to a guitar-based version of LCD Soundsystem's "All My Friends" (not knowing the original, I checked it out, and can safely say that Super Paradise have very much made it their own!), followed by a couple more noise-pop tunes, finally closing out with "Tonight", a slow-building mini-epic. Barely over 20 minutes in length, you'll have no problem hitting repeat on this rousing mini-album!
Not limited. All songs written by Super Paradise, except track 5 by LCD Soundsystem. Available digitally on Bandcamp.
last year, Jigsaw compiled Scooterbabe's two cassette EPs onto one disc, entitled "The Scooterbabe Companion"; this year, we're proud to present their first proper full length, "The Sorrow You've Been Toting Around". The band has undergone a couple line-up changes in the time leading up to this album, and their sound has matured quite a bit in that time, as well. The band they most closely resemble is the Ropers, a vintage Slumberland band that excelled in refined pop, rife with jangling guitars and solid melodies - qualities all found within these eleven songs. Add in guest vocals/violin from Jianna Justice, and you have a well-rounded and thoughtful batch of songs that together, comprise a stellar and very rewarding album.
Not limited. All songs written by Scooterbabe. Available digitally on Bandcamp.
two releases on the label from two brilliant French artists in one year? Ouh la la! Le SuperHomard is the work of a French fellow named Christophe, with help from his brother, Olivier on drums and Pandora Burgess on vocals (for the songs that actually have vocals), and this is their debut album. The music here is delightfully classy and elegant, with lots of jazzy chords, muted basslines and vintage synths, drawing obvious comparisons to Stereolab and St. Etienne (though I would also add Broadcast and Fugu to the list). A gorgeous listen from start to finish on this brief, yet rewarding glimpse into the mind of Le SuperHomard!